Poo Bum : Stephanie Blake

Poo BumPoo Bum by Stephanie Blake

My rating: 5 of 5 stars

I get books recommended to me a lot. Poo Bum has been on my ‘to read’ list for a while; but when a lovely librarian friend of mine told me that it got the “best reaction she’d ever had” at story time, it slid right to the top. Story time is one of those very specific tests for picture books and not all of them manage to pass it. Not all of them should pass it, in a way, because some picture books are made for very close and confidential shared reading, but those that do pass it are very special beasts. They’re books which translate to a very wide audience in a very short period of time. And they’re books which, when handled by a good librarian, help to make reading an event, a moment which burns very precisely and potently in the brain, and helps to pull young readers on a journey that’s going to last them a lifetime.

Poo Bum is outstanding. It’s wicked and naughty and just far enough past that edge of inappropriate to feel naughty, but not to far so that people get alienated. I’m loathe to give you too much details because really, the twists in this story are everything so I’ll settle with the blurb that simply says: “Once there was a little rabbit who could only say one thing…” As you’ll remember the title of this book is ‘Poo Bum’, you might imagine what that thing is…

The copy I’ve got from the library aches with being read a thousand times, and I love that so much that I can hardly deal with it. That’s another test for a picture book; the audience is still learning to figure out the idea of the book itself, and books that can survive that wear and tear whilst keeping the essence of themselves together, are very important things. Poo Bum is rendered in such potent artwork, and punchy text, that I suspect it would survive the apocalypse. The colours are bold, often primary, and often still have the tangible mark of creation on them; those lines and scratches that show you exactly where the pauses and edges were.

And oh, this is funny. It’s funny and it’s smart, and I can see exactly why it hit home. Turns out librarians know exactly what they’re on about. Who’d have thought?

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Moon : Britta Teckentrup

Moon: A Peek-Through Picture BookMoon: A Peek-Through Picture Book by Britta Teckentrup

My rating: 5 of 5 stars

Have you ever wondered why the moon shines in the night-time sky?

There’s something to be said about the idea of grace in picture books. It’s an airy idea to grasp, particularly when rendered in the flatness of paper and print, but it’s something that, in the best picture boos, is most definitely present. Moon is very much that; it’s a delight. Airy, magical, and graceful , it moves around the world, tracing a series of night time scenes set under a silvery waxing, waning and full moon.

And it is graceful, because it’s such a restrained book. The palette is one of shadows, of muted and restricted colours, greens and blues and blacks, a landscape lit up under the light of the moon, and then a sudden flare of colour. There’s a scene that I love, amongst many, where the moon looks down at penguins, and there’s so much life on the page, that even though the palette is carefully, beautifully, modulated, the spread sings. Do you see what I mean about that idea of grace? The balance here between the pattern of the penguins, that downward shift of the land, and the remote, precise, glory of that slender moon. It’s an eloquent spread precisely because of that balance; so genuine, so gently done.

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One of the other notable elements of this book is the use of cut outs. The moon itself  is a cut out space in the page which varies as you read through the book, ultimately moving through a full lunar cycle. It’s subtle work, and manages to move the book into something where you don’t just turn the pages, you go back and forth, loooking at the moon that was and the moon that shall be. I get fulsome about books like this (I know, surprise!) but that’s because they do what they do so well and picture books build readers, and this book burns to be read under the light of a full moon at bedtime.

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This edition is due out on September 7th, and I’m telling you about it now because I think it’s one to get on pre-order, and into your budgetary / lesson / teaching plans. I also think it would be an utter delight for anyone going on a camping holiday, or anybody who’s a little bit afraid of the dark. Where Moon shines (badumtish) is in how it creates this sense of connection; the moon itself may appear slightly differently to everyone but it is the same moon. We’re all on the same planet and oh, isn’t it beautiful.

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My thanks to Little Tiger for the review copy. Yes, I screamed a little over-excitedly when I got it.

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I Dare You : Reece Wykes

I Dare YouI Dare You by Reece Wykes

My rating: 4 of 5 stars

It’s been a while since I’ve reviewed a picture book and honestly? I get a little twitchy when I’m away from them. I get a little nervous, as though a part of me is missing and it’s a part that can only be completed by delightful endpapers and books that give you the world in a handful of words. Picture books are the buttress of our literacies and they make us who we are.

And I Dare You by Reece Wykes is rather, utterly gorgeous. It’s the tale of two bored gorillas playing a game of dares. The game starts in relatively innocuous circumstances before slowly building up as the dares became even more and more outrageous until the final dare – one which I won’t spoil for you here -is posed. It’s a beautiful and wonderfully handled moment that spirals off into somewhere delightfully suggestive in the final endpapers. (A brief note: books that give different front and back endpapers, that little bit behind the cover and before the ‘story’ itself, are perfect. These are immense spaces and Wykes uses them quite perfectly).

There’s a lot to love about this dry, dark, funny book and it comes from both the text and the imagery – as all good picture books should. Textually; there’s a dominant motif of ‘I DARE YOU…’ which begs for the exuberant chant of storytime. There’s also a useful point to be made in I Dare You about the risks of taking dares too seriously and though it’s not explicitly made (thank God), the lesson is very much there. This is one to have around to prompt conversation and to consider; and that’s something very important indeed.

Where I Dare You also shines is in the vibrancy of the art work; it’s a nicely restricted palette of muted greens and the blankness of the page that lets the colour of the two gorillas – blue and orange – sing in cntrast. The gorillas, though, my goodness. Great stylised, suggestive lines – the fluidity of their arms – as they slide subtly into greater and more outlandish dares, always subtly catching each other’s eyes and making sure that they’re noticed. Cleverness isn’t easy in picture books; quiet cleverness is even harder. These gorillas sing with skill. This book is such an unexpected, offbeat joy and the ending is perfect. It’s a lot to ask to pack so much into so little and yet I Dare You does it with spades. And Gorillas.

My thanks to the publisher for a review copy.

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Pigeon P.I : Meg McLaren

Pigeon P.I.Pigeon P.I. by Meg McLaren

My rating: 4 of 5 stars

When it comes to picture books, I always, always have to talk about the complexity of them. They are hard beasts to get right, they are even harder beasts to do well. Pigeon P.I is something quite oddly wonderful, a sort of mashup of gumshoe detective drama with a lot of bird puns and something quite delightful in the process. Forgive me for simply reciting the blurb in whole but I think it does the business better than anything I can

CASE No. 621 – Feathered friends are going missing all over town, but private investigator Murray likes the quiet life … until a little bird tells him a story the famous Pigeon P.I cannot ignore.

There’s such a lot to enjoy in this book from the wry beginning of “Business was slow / just the way I liked it” through to the exuberant flurry of detail that dots nearly every page and in substantial amounts. Some of the more specific puns may require explaining (“Privet Eye – Gardening Solutions”) but it’s a delight to pick them out and this is a book that will sing with repeated reading (“Two beaks are better than one”). As Murray starts to work his way through the case, he comes into contact with a range of individuals – plucky canaries, furtive pigeons, and the reveal of the eventual kingpin is a delight. It’s a soaring, intense, bold double spread and one that stamps the book with such a moment that you can’t help but stop and drink it in.

I’d definitely place this a little towards the older edge of picture books, somewhere around Elys Dolan and Sarah Bee because of the dense detail and puns. It’s such a smart and witty book, and it’s one that gives different endpapers! Endpapers are so important! The reader gets a guide to investigation at the start of the book – take quiet snacks, and not ‘quiet but impractical’ snacks such as jelly; whilst the end of the book has tips on advanced detection featuring Duck Tracy and Sherstork Holmes. A delight. A bold, mad, glorious delight.

My thanks to the publisher for a review copy.

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Wild Animals of the North : Dieter Braun

Wild Animals of the NorthWild Animals of the North by Dieter Braun

My rating: 5 of 5 stars

The latest step on my Carnegie / Kate Greenaway catch up is Wild Animals of the North by Dieter Braun. Genuinely a little bit breathtaking, this is something rather special.The conceit is simple and easy to grasp: Braun lists a selection of the wild animals to be found across a series of regions in The North. This can cover anything from killer whales in the Arctic through to pandas in Asia. And, as I said, it is something.

It’s hard to quite do justice to Braun’s big, bare, stylish artwork so instead I’ll direct you to a gallery of images. This is remarkable work, genuinely. One of the big points about this book is its size. It’s maybe a little difficult to wield for tinier hands, but that gamble pays off as it allows the artwork to breathe. There’s something rather special about just going big and bare with your work and it’s a gamble that pays off. Some of the images are genuinely breathtaking. All of them would be perfect as pictures on the wall.

Each image of an animal is labelled both with its English and Latin names. Some of them come with extra paragraphs of information, a little eccentrically formed, but still rather charming. What gives this book its strength is that sense of individuality about it. The weight of the paper. The texture of that front cover. The nuanced picking of detail in those paragraphs. I learnt things! (Learning things from a book – who’d imagine such a thing?!)

I loved this. It’s inspiring, distinct and fiercely unique work.

And I want pretty much all of it on my wall.

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Picture books, art, and the appreciation of things

I have a passion project. Thanks to Facebook, and my inability to hold onto a USB stick for more than thirty second without losing it, I have started to gather an album of picture book images. The curation method for these is simple, eccentric. I have to like it. I have to be able to talk about it.

(How curious it is that books are one thing when read privately, selfishly, but quite another when we talk about them.)

I did a talk the other day to some local sixth formers about life as a researcher, doing this. Books. Literacy. Trying to understand one of the most global, primal experiences.  Reading. Communication. Everything builds from books, I said, everything.

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More Katie Morag Island Stories : Mairi Hedderwick

I described research:

Asking why. Asking, always, asking why things are the way they are and what can we do to affect, address, challenge, question that.

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Cloudland by John Burningham

And I showed them Art.
Capital A, capital ART.

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Madeline in London : Ludwig Bemmelmans

Picture books are something which we treat, sometimes, too lightly.

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Five Senses : Herve Tullet

We’re driven by our sense of adulthood. Age based imperialism. A sense that we know better, that we shouldn’t be reading these things.

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A Brush with the Past: 1900 – 1950 The Years that changed our lives : Shirley Hughes

So sometimes, I asked them to just look at things.

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Refuge – Anne Booth & Sam Usher

Because looking – seeing – is where it all begins.

All of it.

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A Taste of Chlorine – Bastine Vivés

Us.

Horrible Bear! : Ame Dyckman & Zachariah OHora


Horrible Bear!Horrible Bear!
by Ame Dyckman

My rating: 4 of 5 stars

There’s a lot to love about this vibrant and carefully pitched picture book. Horrible Bear! is the story of a girl who is out flying her kite one day. The string snaps and the kite falls into the cave of a very big and very sleepy bear. He’s asleep and, awfully, manages to roll over on top of her kite and crunch it. The little girl loses her temper and yells: “HORRIBLE BEAR!” She stomps home in that delightful full-body stomp of anger that small people do, and the bear is left to come to terms with what’s just happened. Naturally, he’s a bit upset as well and decides he’s going to be a HORRIBLE BEAR! Just as he’s leaving the cave and coming down the mountain to roar at the girl, the girl manages to break her beloved toy. Upon realising how horrible she’s been, she apologises to the bear who promptly helps her put her toy back together. Adorable, no? It’s a very charming and lovable story full with some pertinent and gently told messages.

When it comes to picture books, everything matters. Everything. There were two words that glared a little for me from the text because they didn’t feel quite as universal as I’d have liked. I know, I know, I can hear you commenting on how picky that is and it is a picky comment. But it’s a comment that comes from the nature of picture books and my love for them and my want for them to reach out to a whole world of readers and to do that with a whole fistful of meaning and weight in each and every word. There’s nowhere to hide in a picture book and it’s right to acknowledge the slight down notes in an otherwise wonderful book because everyone gets better, always, and Dyckman and OHara are rather wonderful already. The dynamic art of HORRIBLE BEAR! is testament to that, as is that subtly written note of regret on the part of the girl. It’s easy to judge in books like this, to get all high-handed and moralistic, but Dyckman reins it back. Her language is precise, kind and subtle. It’s a great line to walk and one that speaks of a great understanding of children and of learning.

Where HORRIBLE BEAR! absolutely shines is in its use of detail. This isn’t a story that forgets what’s happened to concentrate on the next page. It begins on the title page, where underneath the dedications from author and illustrator, a small girl with vibrant red hair sees the string on her kite snap. And then we’re in, pounding through a story where the bear sleeps with a little tiny teddy bear of his own, and when the girl gets back into her bedroom, we can see the bear coming out of his cave up the mountain through the window in her room. It’s so utterly lovely and smart that I can get picky with this book. I can get picky because it’s so vividly on point at certain moments that I want all of it to be up there, reaching the great heights of storytelling that it has the potential to do. This is vivid, exuberant, eccentric, and kind work. HORRIBLE BEAR! is rather wonderful. Just don’t forget that exclamation mark!

My thanks to Andersen for a review copy.

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