A Change Is Gonna Come

A Change Is Gonna ComeA Change Is Gonna Come

My rating: 5 of 5 stars

A Change Is Gonna Come is a compilation of short stories and poems from 12 Black, Asian and Minority Ethnic writers, ranging freely over a series of topics and themes, and pretty much all of them are rather wonderful, powerful contributions. What really struck me about this collection is the care that’s been taken over every element in it; from the striking and wonderful cover design (for more on that, have a look at this, to the note in the introduction from the editorial mentee (a good thing, publishing world), and the inclusion of debut writers, A Change Is Gonna Come feels like it’s been loved. And that sensation of love is powerful when it slides into the hand of the reader, so very powerful.

A frank highlight for me was Tanya Byrne’s lyrical and incandescent love story ‘Hackney Moon’. Byrne is a writer whose debut Heart-Shaped Bruise was something I called kind of spectacular, and Hackney Moon is right up there. An aching, tender, and fiercely told love story, it’s honestly, one of the best things I’ve read for a long time. I finished reading it and did one of those little ‘oh that was good’ pauses. (Don’t you love them?)

Another highlight for me was Aisha Bushby’s ‘Marionette Girl’, a distinctive, eccentric and powerful story of growth. Bushby’s writing is sympathetic and kind, but also full of a very subtle sense of drive. The sense of a character pushing up against barriers all around her mixed with the knowledge that she’s going to break through. Does that make sense? I hope it does. This is a story full of drive and determination and power, and it’s kind of heartbreaking and beautiful, all at once.

What a way to start the year this is!

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Orangeboy : Patrice Lawrence

OrangeboyOrangeboy by Patrice Lawrence

My rating: 4 of 5 stars

Orangeboy is one of those books which begin a long time before you read it. Take a moment and look at that front cover, that stark brilliant splash of vibrant colour that spills against the white background. It is an amazing piece of design and, as I have said before, design speaks a lot about a book. From the perfectly pitched cover of Trouble through to pretty much anything published by Nosy Crow, design matters. It speaks of ambition and it speaks of power, of doing anything in your arsenal to make this book stand out and be read.

Marlon’s big brother, Andre, went down the wrong path and now, Marlon seems destined to follow him. But he’s fighting all the way, trying to figure out what’s happening to him and how – or indeed if – he can get out of it alive. There’s a line on the blurb that does somewhat give away the first twist, and I’d say ignore it if you can. Don’t read the back of this book, trust me, because when that first twist hits, it’s quite the moment.

I suspect that from the state of this tight and fluid and gutwrenching novel, that Lawrence has much more in her. The first book is always the first book, and sometimes it speaks of that. There are a few moments here where the narrative kind of outpaces itself, and then everything races to catch up. It’s true to life, painfully, but I’d have welcomed some time for the text to realise where it is. Breath. Shadows and light, loudness and dark. Lawrence is so very brilliant in this story and I wanted more time to bathe in the richness of her writing, the dense word-clouds of music and of pop culture references and of relationships, both good and bad. I suppose it’s selfish, really, to imagine a book should be written for my needs alone and yet books like this make me selfish. I want more of them. I didn’t want Orangeboy to end. Those dynamic, awful, hideous last few chapters where everything happened and couldn’t be stopped, made me stir the beans for my lunch with one hand and read with the other. It is the very definition of an unpotdownable book.

Marlon is forced to make choices throughout this novel, from a good life to a bad, and when history and relationships and love and loyalty and family come calling, he’s forced onto a path not of his choosing. It’s a hard read, Orangeboy, searing at times and yet, as I say, unputdownable because you can’t help but wonder what you’d have done in the circumstances. There’s a lot of opportunity here for discussion and several ‘discussion points’ are included at the back of the book.

I welcome Orangeboy. I think it’s important. I appreciate how it doesn’t make things easy, not once, not ever. That’s life for a lot of readers. I think it’s right to write about that. I think it’s even better to write about it as well as this.

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