The Three Jays Against The Clock : Pat Smythe

The Three Jays Against the ClockThe Three Jays Against the Clock by Pat Smythe

My rating: 4 of 5 stars

I have been aching for a reread of Pat Smythe’s pony books for quite some time, and so, dear reader, when I found a copy of The Three Jays Against The Clock in the bookshoop I clutched it to my chest and practically skipped all the way home. It’s difficult, sometimes, to understand the place that a series can hold in your hearts but for me, these Pat Smythe books were everything. They were full of that intense detail that only the small and ponyish child can wallow in and they were never that easily available so they became something of the Chalet School of the pony world, to be read and devoured on those fleeting moments when they appeared back in the world.

Much of these fleeting appearances stem, I suspect, from the fact that they were not as brilliantly rendered as some of the pony books that were in the world at that time. And there were a lot of pony stories making their presence felt, from the Pullein-Thompsons through to Ruby Ferguson. Pat Smythe is no P-T sister, and I’ll take that critique and live with it, quite happily because I don’t think that’s the space that she ever should be considered in. Smythe has this habit of being most practical with her work; a conundrum is introduced, a cliff-hanger posed, but then we are all sorted and back with the ponies and jumping clear rounds. And I love that, God, I love it so much. You can’t remotely consider these as high literature but you can absolutely worship at their altar of readability.

So this is the second in the series, and it’s resolutely Blytonian in its furious efficiency and blunt style. The Jays decide to go on a pony trip, calling in every now and then to let Pat know that they’re alright. They inevitably run into problems on the way, and a lot of Useful Pony Knowledge is imparted with not the least hint of subtlety. We learn how to make string from a ball of hemp (seriously, even typing that sentence sounds like witchcraft) amongst a thousand other pieces of information ranging from how to walk a course to why you should never judge a book unless you’ve read it. It’s delightful. It’s resolutely of its time at certain points, but then you read these sorts of books with an awareness of the differing – and by no means appropriate – cultural standards of those times.

One final thing to note is that this book contains one of my absolute favourite sentences at all time:
“Nuts,” said the simple child simply. . And if ever a sentence captured style, and the thrust, and the sheer lovable frankness of these books, then I think that this may be that sentence.

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